Ann Karine Bourdeau Leduc lives and works in Montreal/Tiohtià:ke, where she collects, recycles, and reuses all kinds of materials. Her art consists primarily of sculptural installations that combine printed images and drawings with found objects and repurposed construction materials. Since 2018, she has done solo exhibitions, notably at Drac (Drummondville), Arprim (Montreal), Galerie Sans Nom (Moncton), and Engramme (Quebec City). Her career has been marked by several research residencies in Quebec, Italy, Belgium, and Spain. She also holds a master’s degree in Visual Arts from Concordia University (2023) and a bachelor’s degree in Visual and Media Arts from UQAM (2016).

Alfred Muszynski est un artiste basé à Montréal. Titulaire d’un BFA de l’Université Concordia (2021), sa pratique croise la peinture à l’huile, le numérique et la recherche anthropologique afin de cartographier la culture internet et ses dissonances stylistiques. Ses oeuvres ont été présentées à Artch (Montréal), InterAccess (Toronto), House of Arts Brno (République tchèque), le Centre Culturel Georges Vanier (Montréal) et Lower Cavity (Holyoke, MA). Il contribue aussi régulièrement à Do Not Research, une communauté en ligne fondée par l’artiste Joshua Citarella.

Stephanie E. Creaghan is a video artist and filmmaker whose project considers how violence inserts itself into communication. They recently had their first solo exhibition in New York at D.D.D.D. Pictures (fall 2025), and will be undertaking a four-month residency at Atelier Mondiale in Basel, Switzerland as of March 2026. Their work is featured in the Vtape collection.

Jean Dubois teaches at the School of Visual and Media Arts at the University of Quebec in Montreal. He is a founding member of the Hexagram network, which he co-directed between 2018 and 2021. He served on the board of directors of the VOX contemporary image centre for a dozen years. His critical and experimental practice addresses human identity and behaviour in relation to social and aesthetic issues emerging from new digital culture devices. His creations have been regularly shown in national museums and international festivals in Canada and abroad, notably at the Ars Electronica Festival (Austria), the Museo d'arte contemporanea Roma Testaccio (Italy); the Musée des Arts et Métiers (France); the International Cyber Art Festival at the Hermitage Museum (Russia); the Incheon International Digital Art Festival (South Korea); Experimenta – International Biennial of Media Art (Australia); and eARTS BEYOND, Shanghai International Gallery Exhibition of Media Arts (China).

Jonathan radbwa faroush Mayers is a Louisiana Creole artist born and raised in Istrouma, or Baton-Rouj (Baton Rouge), Louisiana. His passion for reconnecting with his heritage community and reclaiming his family’s languages, Kouri-Vini (the endangered Creole language of Louisiana) and Louisiana French—which were lost two generations earlier due to Americanization—led Mayers to do more linguistic and cultural research. Mayers paints images of mythological beasts and monsters in familiar, often local, landscapes, and incorporates that same physical landscape into his workevoke themes such as environmentalism, Creolism, and postcolonialism. He infuses his workevoke themes such as environmentalism, Creolism, and postcolonialism. He infuses his works with workwith Latannyèrizm (Latanièrisme) which brings together visual arts, language, and territory.

Mayers is represented by Arthur Roger Gallery in New Orleans. He received his Bachelor of Fine Arts degree from Louisiana State University (2007) and his Master of Fine Arts degree from the University of New Orleans (2011). He has been an artist-in-residence at Centre SAGAMIE (Alma, QC), Est-Nord-Est (Quebec City), and A Studio in the Woods (New Orleans). Mayers, Poet Laureate of Baton Rouge 2021-2023, is co-editor of Févi (2022), and his work can be found in : Nous sommes tous des astronautes : scénarios et prototypes pour des temps extrêmes (2024), Latær Lèv (2023), Contes merveilleux : Louisiane, 2023, Folklore Figures of French and Creole Louisiana (2021), Ancrages No 30. Traces, and Feux Follets. His most recent projects as an exhibition curator were Kont Kréyol-yé (2025) and Mitoloji Latannyèr | Mythologies louisianaises (2023). He is currently a doctoral student in Francophone studies at the University of Louisiana at Lafayette.

Before dedicating himself fully to choreography, Emmanuel Jouthe began his career as a dancer, developing his bodily sensitivity and his desire to share his experiences with other enthusiasts. Since 1999, he has served as the artistic director of his company, whose repertoire includes numerous works and arts education projects. Through these creations, he explores a wide range of stage territories and various ways to bring the audience closer to dance. Today, he is recognized as a prominent figure in the Quebec choreographic landscape. Constantly in motion and seeking new challenges, he eagerly initiates collaborations with emerging artists who inspire him to expand the boundaries of possibility.