Originally from Quebec, Véronique Béland is an artist and writer whose work has been presented since 2005 in international contemporary art institutions through solo and group exhibitions in Canada, the United States, Japan, and numerous European countries. At the intersection of media art and literature, she develops a practice that explores the autonomous machine as a creative entity, elusive phenomena beyond human scale, and various forms of translation between art, science, and archiving. Taking the form of installations and generative devices, her works question the boundaries between the perceptible and the imperceptible, while seeking to bring forth new forms of storytelling. She has also published several books spanning poetry, experimental fiction, and hybrid writing. Her work has received numerous distinctions, including the Prix Marguerite Moreau (2021), the World Omosiroi Award (Osaka, 2022), and the Grand Jury Prize of the Opline Prize (Paris, 2026).