Sandrine Cadieux holds a B.A. and a D.E.S.S. in arts, creation and technology from Université de Montréal, and divides her time between the arts and education. She is interested in the mediums of photography, 3D modelling/printing and video games. She is a 3D modeller with pixels·collectif, a photographer working with musicians, and a specialised facilitator for extracurricular activities and libraries, with the aim of making these practices accessible to a wide range of audiences.

With a BA in Communications, Frédérique Bordeleau has been passionate about programming ever since she studied for a DESS in Arts, Creation and Technology at Université de Montréal. She then embarked on a web development bootcamp at Lighthouse Labs to make it her career. Since then, she has divided her time between her work at Cirque du soleil and her passions: programming video games for pixels·collectif, cinema, sport and technological art.

A multidisciplinary artist based in Montreal, Andrée-Anne Mercier holds a B.A. in visual and media arts from UQÀM and a D.E.S.S. in arts, creation and technology from Université de Montréal. Her artistic practice explores various modes of expression, ranging from painting to video games, installations, 3D modelling and animation. In recent years, she has undertaken several international artist residencies in Japan, Spain and Iceland. Represented by Galerie Robertson Arès in Montréal, she recently presented her work at the Foire Plural (Montréal) and Art Toronto (Toronto).

Baron Lanteigne (b. 1987) explores our relationship with technology and its infrastructure through installations of modified screens, cables, electronic devices and animations that form portal screens straddling the real and the virtual. Baron lives and works in Quebec City, Canada. However, the essence of his work stems from infiltrations of numerous cyber-communities and virtual collaborations. This web-based practice is reflected internationally through participation in numerous digital art events: The Wrong Biennale, real-fake.org, ISEA, Les Garages Numériques (BE), Mapping Festival (CH), Mirage Festival (FR), Vector Festival (CA), Dutch Design Week (NL), Sónar+D (ES), CUVO Video Art Festival (ES), Electrofringe (AU), CPH:DOX (DK) and the Ludwig Museum in Budapest (HU). Baron Lanteigne also specialises in technology consulting for artists and artist-run centres.

Aude is a French-Canadian Media Artist, Digital Artist and Director based in Montreal. She fuses her passions for nature, music, and science to shape immersive physical and digital experiences. Drawing inspiration from fractals and natural forces, she explores humanity's connection to nature through an eco-feminist, queer, and socially engaged lens. With a commitment to environmental sustainability and social justice, Aude's art intertwines circular economy principles, recycling, and reutilization. Her extensive skills in motion design, art direction, and industrial design fuels her hybrid creative process, blending digital prowess with physical artistry. She explores diverse mediums in her personal art practice, like 3D printing, mural paintings, motion design and interactive installations. Her artworks have been captivating audiences through several exhibitions and events like SXSW, Mutek, Osheaga and Polaris Music Prize. Her professional journey as a Creative & Multimedia Director for shows and concerts boasts collaborations with industry giants like Billie Eilish, Olivia Rodrigo, Madonna, Muse and Ed Sheeran. Aude's pursuits extend beyond pixels. As a traveler, surfer, snowboarder, and climber, she draws from her global escapades to infuse her creations with both wonder and environmental consciousness. Aude's artistic evolution, from her academic foundation in sciences and design to her dynamic multimedia career, has cultivated a narrative that transcends mediums. Her art captivates, questions, and connects, weaving a story where creativity and conscience converge.

Johann Mazé is a musician active in various French performing groups. A composer and sound artist, he develops documentary projects, radio plays, and field recordings, often with marginalized places or individuals.