Quatuor Bozzini has been an original voice and strong advocate in new, experimental and classical music since 1999. Driving the hyper-creative Montréal scene and beyond, the quartet cultivates an ethos of risk-taking, experimentation, and collaboration, venturing boldly off the beaten track. With a rigorous eye for quality, they have nurtured a rich and diverse repertoire, regardless of trends. This has led to over 400 commissioned pieces, and some 500 premiered works. Their open, collaborative, artist-led approach has resulted in the realisation of numerous innovative and highly-praised productions, including inter-disciplinary projects with video, theatre and dance.

Trained in philosophy and literature, Thierry Dimanche has written several books of poetry since 2002. By turns critic, literary director and teacher, he's involving in various hybrid literary events, often in a musical context. In 2008-2010, he took part in the VSUP (Veuillez signaler un poème) project, a collaboration between five writers and five contemporary composers. He appears on the sound poetry compilations VQQV and Des monstres dans la gorge (Actuelle CD), and been part of the poetry-metal collective POMME (2012-2014). In 2015, his book Le milieu de partout (ed. Prise de parole) was awarded the Prix Champlain. With composer Robert Lemay, he worked on Deux mille mètres sous terre, including a recording made in Sudbury's underground particle observatory. In 2019, he published the mycological novel Cercles de feu (ed. le Quartanier), followed in 2022 by a paradoxical posthumous autobiography entitled Tombeau de Claude Gauvreau (ed. Leméac).

Sandrine Cadieux holds a B.A. and a D.E.S.S. in arts, creation and technology from Université de Montréal, and divides her time between the arts and education. She is interested in the mediums of photography, 3D modelling/printing and video games. She is a 3D modeller with pixels·collectif, a photographer working with musicians, and a specialised facilitator for extracurricular activities and libraries, with the aim of making these practices accessible to a wide range of audiences.

With a BA in Communications, Frédérique Bordeleau has been passionate about programming ever since she studied for a DESS in Arts, Creation and Technology at Université de Montréal. She then embarked on a web development bootcamp at Lighthouse Labs to make it her career. Since then, she has divided her time between her work at Cirque du soleil and her passions: programming video games for pixels·collectif, cinema, sport and technological art.

A multidisciplinary artist based in Montreal, Andrée-Anne Mercier holds a B.A. in visual and media arts from UQÀM and a D.E.S.S. in arts, creation and technology from Université de Montréal. Her artistic practice explores various modes of expression, ranging from painting to video games, installations, 3D modelling and animation. In recent years, she has undertaken several international artist residencies in Japan, Spain and Iceland. Represented by Galerie Robertson Arès in Montréal, she recently presented her work at the Foire Plural (Montréal) and Art Toronto (Toronto).

Baron Lanteigne (b. 1987) explores our relationship with technology and its infrastructure through installations of modified screens, cables, electronic devices and animations that form portal screens straddling the real and the virtual. Baron lives and works in Quebec City, Canada. However, the essence of his work stems from infiltrations of numerous cyber-communities and virtual collaborations. This web-based practice is reflected internationally through participation in numerous digital art events: The Wrong Biennale, real-fake.org, ISEA, Les Garages Numériques (BE), Mapping Festival (CH), Mirage Festival (FR), Vector Festival (CA), Dutch Design Week (NL), Sónar+D (ES), CUVO Video Art Festival (ES), Electrofringe (AU), CPH:DOX (DK) and the Ludwig Museum in Budapest (HU). Baron Lanteigne also specialises in technology consulting for artists and artist-run centres.

Aude is a French-Canadian Media Artist, Digital Artist and Director based in Montreal. She fuses her passions for nature, music, and science to shape immersive physical and digital experiences. Drawing inspiration from fractals and natural forces, she explores humanity's connection to nature through an eco-feminist, queer, and socially engaged lens. With a commitment to environmental sustainability and social justice, Aude's art intertwines circular economy principles, recycling, and reutilization. Her extensive skills in motion design, art direction, and industrial design fuels her hybrid creative process, blending digital prowess with physical artistry. She explores diverse mediums in her personal art practice, like 3D printing, mural paintings, motion design and interactive installations. Her artworks have been captivating audiences through several exhibitions and events like SXSW, Mutek, Osheaga and Polaris Music Prize. Her professional journey as a Creative & Multimedia Director for shows and concerts boasts collaborations with industry giants like Billie Eilish, Olivia Rodrigo, Madonna, Muse and Ed Sheeran. Aude's pursuits extend beyond pixels. As a traveler, surfer, snowboarder, and climber, she draws from her global escapades to infuse her creations with both wonder and environmental consciousness. Aude's artistic evolution, from her academic foundation in sciences and design to her dynamic multimedia career, has cultivated a narrative that transcends mediums. Her art captivates, questions, and connects, weaving a story where creativity and conscience converge.