Unusual critters de Léa Boudreau

Unusual Critters: A Remarkable Journey Through Life as We Think It Is | Léa Boudreau

Vitrine exhibition

1er novembre – 21 décembre 2024

Opening

Friday, November 1st, 5 to 7 pm

Atelier conception électronique

Saturday, December 7, 2024, 1pm to 5pm

Unusual Critters: A Remarkable Journey Through Life as We Think It Is | Léa Boudreau

Unusual Critters: A Remarkable Journey Through Life as We Think It Is is a multimedia installation built around a wildlife mockumentary. Taking the city as its main setting, the film depicts the behaviour and habitat of two electronic species of critters and opens reflections on the extreme adaptation many nonhuman beings have undergone to thrive in a highly anthropocentric environment. The hybridity of those critters (animal-like/electronic) evokes René Descartes' 17th century animal/machineduality which equated animals to pure mechanisms. This, in turn, justified their systematic abuse and exploitation, and is an idea that still influences our interspecies relationships today. The critters' presence in the mockumentary however is far from supporting this theory : the film presents the critters with a bright sense of aliveness and agency, while challenging (Western) humankind's social and environmental habits. What if this animal-machine duality was an opportunity to consider machines as worthy of moral consideration instead of using them as reasons for nonhuman abuse? Furthermore, the video work explores current wildlife documentary codes (anthropomorphizing, emotive soundtracks, etc.) and humorously plays with them in order to both question them and enhance the messages shared within the work.

Photo credit :
Dania Rioux
 

Léa Boudreau

Léa Boudreau (née en 1993) est une artiste multidisciplinaire basée à Tiohtià:ke/Montréal qui travaille les circuits électroniques, le son et les lieux. Son travail questionne les relations inter-espèces en considérant les existences non-humaines (vie animale non-humaine, vie artificielle, le non-vivant, etc.) comme terrains de réflexion sur les hiérarchies qui divisent notre monde. Elle élabore ses œuvres suivant une approche DIY (do it yourself) dans un but de partage des connaissances et de critique de la société de consommation. Entre autres lieux, son travail a été présenté au Symposium International d’Art Contemporain de Baie St-Paul, au FIMAV (Victoriaville), au festival OTTOsonics de Ottensheim (Autriche), au Festival Akousma (Montréal) ainsi qu’au Festival Sonorities (Belfast). Elle détient un baccalauréat en Musiques numériques de l’Université de Montréal et une maîtrise en Studio Arts (Intermedia) de l’université Concordia.