Intangbile data, Baron Lanteigne

ART & NFT: Turning Point or Mirage?

Discussion

Saturday, March 5, 2022, from 4 p.m. to 6 p.m.

ART & NFT: Turning Point or Mirage?

TOPO was pleased to invite you to a discussion on Saturday, March 5, from 4 to 6 p.m. (Montreal time, UTC-5), on the new Holy Grail of digital art purchasing: NFTs (Non-Fungible Tokens). This free, open meeting took place via Zoom. Artist Johann Baron Lanteigne presented an overview of his work and research on NFTs in conversation with Olivia McGilchrist, a multidisciplinary doctoral artist who has explored the process of registering and recording digital works in the mind-boggling world of blockchain.

The discussion in detail

NFTs raise many questions in the world of art marketing. These digital certificates attest to the uniqueness and ownership of a virtual object, and they seem to allow anyone to enter the art market without going through galleries. Although NFTs allow some people to earn impressive sums of money, access to their world remains complex, as the blockchain has its own codes.

The reality of an artist who has navigated the process of entering the NFT market, Olivia McGilchrist, will be compared with that of a more seasoned artist in this field, Johann Baron Lanteigne, who will share his observations on the industry. This will also be an opportunity for Baron Lanteigne to introduce us to his Tangible Data project, a multidisciplinary art project in which the artist documents the influence of the emerging NFT art market.

This virtual discussion marks the end of the 7th edition of TOPO's multi-platform bootcamp. Each year, a cohort of 10 artists from various disciplines are supported in the development of digital creation projects. This training program, supported by Emploi-Québec, provides a context for exchange and learning with a variety of digital specialists. Learn more about the bootcamp

Photo credit :
Elias Djemil-Matassov
 

Johann Baron Lanteigne

Baron Lanteigne (b. 1987) explores our relationship with technology and its infrastructure through installations of modified screens, cables, electronic devices and animations that form portal screens straddling the real and the virtual. Baron lives and works in Quebec City, Canada. However, the essence of his work stems from infiltrations of numerous cyber-communities and virtual collaborations. This web-based practice is reflected internationally through participation in numerous digital art events: The Wrong Biennale, real-fake.org, ISEA, Les Garages Numériques (BE), Mapping Festival (CH), Mirage Festival (FR), Vector Festival (CA), Dutch Design Week (NL), Sónar+D (ES), CUVO Video Art Festival (ES), Electrofringe (AU), CPH:DOX (DK) and the Ludwig Museum in Budapest (HU). Baron Lanteigne also specialises in technology consulting for artists and artist-run centres.

Olivia McGilchrist

Olivia Mc Gilchrist is a white French-Jamaican multimedia artist and a doctoral student who explores how colonial heritage extends its reach into virtual reality (VR) technology. She has exhibited in Canada, Jamaica, the United States, Brazil, Germany, Norway, Austria, France, Switzerland, and the United Kingdom. Drawing on her experience as a white Euro-Caribbean woman and her research on the representation of her hybrid identity within contemporary Jamaican culture, Olivia explores how this identity can be represented in VR.

In Pictures