{"id":791,"date":"2023-01-05T18:14:20","date_gmt":"2023-01-05T23:14:20","guid":{"rendered":"https:\/\/topo.art\/ilinu-ilidi\/?p=791"},"modified":"2023-03-06T16:59:59","modified_gmt":"2023-03-06T21:59:59","slug":"livecoding","status":"publish","type":"post","link":"https:\/\/topo.art\/ilinu-ilidi\/en\/livecoding\/","title":{"rendered":"LiveCoding"},"content":{"rendered":"\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Sunday, May 22, 2022<\/p>\n\n\n\n<p>The workshop was developed around the concept of digital collage, mixing visuals, sounds and code. During the sessions, two programming languages for artists were reviewed.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Session 1<\/strong><\/h2>\n\n\n\n<p>Presentation of the Estuary platform and introduction to CineCer0 for live playback and editing of video files, still images and text for the web. At the end of the workshop, there was a group activity on the <a href=\"https:\/\/estuary.mcmaster.ca\/\">https:\/\/estuary.mcmaster.ca\/<\/a> platform, a networked performance platform.<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 class=\"wp-block-heading\">Presented by :<\/h3>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-323 post type-post status-publish format-standard hentry category-person tag-andamio tag-formateur entry\">\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/topo.art\/ilinu-ilidi\/jessica-a-rodriguez\/\" target=\"_self\" >Jessica A. Rodr\u00edguez<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt has-extra-small-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Bio Artiste multim\u00e9dia, designer et chercheuse. Elle poursuit actuellement un doctorat en communications, nouveaux m\u00e9dias et \u00e9tudes culturelles \u00e0 McMaster. Sa pratique et ses projets de recherche se concentrent sur les pratiques audiovisuelles telles que la musique visuelle, la litt\u00e9rature \u00e9lectronique, l&rsquo;exp\u00e9rimentation vid\u00e9o, l&rsquo;art sonore, la visualisation\/sonification, le live coding, entre autres, en collaborant avec&hellip;&hellip; <\/p><\/div>\n<\/li><\/ul><\/div>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/topo.art\/ilinu-ilidi\/wp-content\/uploads\/2023\/03\/Capture-de\u0301cran-2022-05-22-a\u0300-13.54.44-2-2.png\" alt=\"\" class=\"wp-image-1314\"\/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\"><strong>Session 2<\/strong><\/h2>\n\n\n\n<p>Live coding + E-lit, creative possibilities of code. During the first half hour, Mario Guzman presented his work with code. Artist Kofi Oduro used the remaining time for his presentation. In his online workshop, participants saw how code can be used in the musical, performative and literary arts. Using tools such as livecodingYoutube, Hydra, Inverse.website and Sonic Pi to name a few. They saw how expressive and creative code is, while having the benefit of testing how it can be used in a collaborative setting. Participants found that writing and improvising code can lead to varied outcomes musically, as well as using networked elements to their advantage when writing or producing work.<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 class=\"wp-block-heading\">Presented by :<\/h3>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-651 post type-post status-publish format-standard hentry category-person tag-formateur entry\">\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/topo.art\/ilinu-ilidi\/mario-guzman\/\" target=\"_self\" >Mario Guzm\u00e1n<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt has-extra-small-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Bio Je suis un chercheur mexicain, \u00e9crivain exp\u00e9rimental et artiste de nouveaux m\u00e9dias qui fusionne le langage avec des ph\u00e9nom\u00e8nes audiovisuels, le d\u00e9veloppement web, l&rsquo;art \u00e9lectronique, la litt\u00e9rature algorithmique et la robotique.Dans mon travail, j&rsquo;explore la communication entre les agents humains et non humains, l&rsquo;interaction robot-humain, et diff\u00e9rentes m\u00e9thodes pour coder la perception et la&hellip;&hellip; <\/p><\/div>\n<\/li><\/ul><\/div>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-660 post type-post status-publish format-standard hentry category-person tag-formateur entry\">\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/topo.art\/ilinu-ilidi\/kofi-oduro-illestpreacha-2\/\" target=\"_self\" >Kofi Oduro (Illestpreacha)<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt has-extra-small-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Ma pratique artistique consiste en une observation du monde qui nous entoure, que je transforme ensuite en \u0153uvres d&rsquo;art afin que les autres puissent s&rsquo;y reconna\u00eetre ou s&rsquo;en d\u00e9tacher. \u00c0 travers la vid\u00e9ographie, la po\u00e9sie et le codage cr\u00e9atif, j&rsquo;essaie de mettre en lumi\u00e8re les domaines de la performance et de l&rsquo;esprit humains dans diff\u00e9rents&hellip;&hellip; <\/p><\/div>\n<\/li><\/ul><\/div>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"3456\" height=\"2234\" src=\"https:\/\/topo.art\/ilinu-ilidi\/wp-content\/uploads\/2023\/03\/Screen-Shot-2022-05-22-at-4.16.36-PM-1.png\" alt=\"\" class=\"wp-image-1315\"\/><\/figure>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sunday, May 22, 2022<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[61],"tags":[124],"class_list":["post-791","post","type-post","status-publish","format-standard","hentry","category-workshops","tag-audiovisuel-en","entry"],"_links":{"self":[{"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/posts\/791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/comments?post=791"}],"version-history":[{"count":3,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/posts\/791\/revisions"}],"predecessor-version":[{"id":1316,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/posts\/791\/revisions\/1316"}],"wp:attachment":[{"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/media?parent=791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/categories?post=791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/tags?post=791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}