{"id":595,"date":"2022-12-22T13:00:41","date_gmt":"2022-12-22T18:00:41","guid":{"rendered":"https:\/\/topo.art\/ilinu-ilidi\/?p=595"},"modified":"2023-09-19T14:15:46","modified_gmt":"2023-09-19T18:15:46","slug":"re-im-all-the-landscape","status":"publish","type":"post","link":"https:\/\/topo.art\/ilinu-ilidi\/en\/re-im-all-the-landscape\/","title":{"rendered":"<em>Re: < I'm all the landscape ><\/em>"},"content":{"rendered":"\nngg_shortcode_0_placeholder\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>In 2019, I created the performative installation <em>El tiempo de ser<\/em>, a free adaptation of Alessandro Baricco&rsquo;s <em>Mr Gwyn<\/em>. This novel tells the story of the British novelist Jasper Gwyn who decides to stop writing to make portraits in the manner of a painter, but with words. He rents a studio where he devotes himself to long observation sessions with his models before making his written portraits. <em>Re: &lt;&nbsp;I\u2019m all the landscape&nbsp;&gt;<\/em> is a transposition of my first adaptation of Baricco&rsquo;s novel into a digital work. In this new creation, my aim is to \u00ab\u00a0translate\u00a0\u00bb freely the visual, sound and performative aspects of the written work, taking advantage of the potential of digital literature.<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/hubs.mozilla.com\/scenes\/tyLuKxV\" style=\"border-radius:100px\" target=\"_blank\" rel=\"noreferrer noopener\">Discover the project on Mozilla Hubs<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Click on \u00ab\u00a0Create a room with this scene\u00a0\u00bb, then on \u00ab\u00a0Join Room\u00a0\u00bb.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-embed alignfull is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Re: \u00ab Je suis tout le paysage \u00bb | Claudia Bernal\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/kqwdndRWFA8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>CREDITS:&nbsp;<\/strong><br><strong>Scenic installation<\/strong>: Claudia Bernal<br><strong>Dramaturgy<\/strong>: Claudia Bernal<br><strong>Performing and voice<\/strong>: Claudia Bernal<br><strong>Texts<\/strong>: Excerpts from Alessandro Baricco&rsquo;s <em>Mr Gwyn<\/em> and Claudia Bernal&rsquo;s <em>The time<\/em><br><strong>Text-animation<\/strong>:&nbsp;Maria P. Jaramillo<br><strong>Sound composition<\/strong>: Thierry Gauthier<br><strong>Video and camera editing assistant <\/strong>(installation): Andr\u00e9s Salas<br><strong>Camera <\/strong>(digital work): Juana Rubio<br><strong>Co-design &amp; implantation of the 3D environnement:<\/strong>&nbsp;Luis M Guzm\u00e1n&nbsp;and&nbsp;Jessica A. Rodr\u00edguez<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 class=\"wp-block-heading\">A project by :<\/h3>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-78 post type-post status-publish format-standard hentry category-person entry\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-style-default is-layout-flex wp-container-core-columns-is-layout-53642b31 wp-block-columns-is-layout-flex\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><h4 class=\"wp-block-post-title\"><a href=\"https:\/\/topo.art\/ilinu-ilidi\/claudia-bernal\/\" target=\"_self\" >Claudia Bernal<\/a><\/h4><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div class=\"wp-block-post-excerpt has-small-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Claudia Bernal est artiste interdisciplinaire et chercheuse postdoctorale au Centre de&#8230; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><\/ul><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>In 2019, I created the performative installation El tiempo de ser, a free adaptation of Alessandro Baricco&rsquo;s Mr Gwyn. This novel tells the story&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1805,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[59],"tags":[],"class_list":["post-595","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-project","entry"],"_links":{"self":[{"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/posts\/595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/comments?post=595"}],"version-history":[{"count":21,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/posts\/595\/revisions"}],"predecessor-version":[{"id":1811,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/posts\/595\/revisions\/1811"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/media\/1805"}],"wp:attachment":[{"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/media?parent=595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/categories?post=595"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/topo.art\/ilinu-ilidi\/wp-json\/wp\/v2\/tags?post=595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}