{"id":2367,"date":"2021-09-10T16:25:09","date_gmt":"2021-09-10T20:25:09","guid":{"rendered":"https:\/\/topo.art\/chantier\/?post_type=production&#038;p=2367"},"modified":"2026-09-17T19:08:16","modified_gmt":"2026-09-17T23:08:16","slug":"de-la-frontiere-michel-huneault","status":"publish","type":"production","link":"https:\/\/topo.art\/en\/production\/de-la-frontiere-michel-huneault\/","title":{"rendered":"<em>De la fronti\u00e8re<\/em>\u00a0| Michel Huneault"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"2367\" class=\"elementor elementor-2367\" data-elementor-post-type=\"production\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d8dc877 e-flex e-con-boxed e-con e-parent\" data-id=\"d8dc877\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f2d8e96 elementor-widget elementor-widget-text-editor\" data-id=\"f2d8e96\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Transposed for online dissemination with TOPO, On the Border is a proposal by artist Michel Huneault who documents a segment of the Canada-United States border and puts it through a narrative.<\/p><p>With each visit, the user has a unique experience of the body of work: 60 images and 60 oral histories are paired and sequenced randomly in an infinite chain of associations. In addition to the social and political issues raised by the work, this project offers the viewer a participatory experience in the critical act of editing and constructing different meanings from the same visual and textual elements.<\/p><h4>Author's Note<\/h4><p>From April to August 2020, there was a 95% drop in land traffic of all types of travellers into Canada, compared with the same time period in 2019. The border was closed in response to Covid-19.<\/p><p>In the country\u2019s modern history, the border has never been as closed and hermetic for people, particularly the most vulnerable. It\u2019s an invisible wall yet very real.<\/p><p>Here, not so long ago, Canadian and American neighbours knew each other on a first-name basis, had drinks together, shared land, and crossed the border while waving to the customs agent without even stopping the car. Not anymore.<\/p><p>Already, after September 11, 2001, an increase in security measures and a change of tone at the border started rapidly eroding the relationship. In 2010, the new requirement of a passport to cross the border further complicated the neighbourly relations. The arrival of Trump in 2016 accelerated the territorial and ideological divide, and the onset of the pandemic almost finalized the isolation of the two neighbours. Essential goods, business people, hockey players, and the unstoppable snowbirds are still crossing, but most refugee claimants cannot.<\/p><p>In March 2020, before Covid, 930 individuals requested asylum between two ports of entry at the border in Quebec, such as at Roxham Road. In April 2020, only one person crossed. Through the end of August 2020, a total of 90 people crossed between ports of entry in Quebec (126 total for all of Canada). Moreover, since April 2020, Canada has been sending asylum seekers back to the United States, which goes against the right of asylum and sets a worrying precedent.<\/p><p>While doing an artist residency at the Ad\u00e9lard centre in Frelighsburg in the fall of 2020, I began documenting a short section of the border along the 45th parallel, between Lake Memphremagog and Lake Champlain on the traditional and unceded territory of the Abenaki people. The border in the area is arbitrary, discreet, and often unmarked. It can be completely invisible, hidden among culs-de-sac, soybean fields, residential backyards, forests, orchards, and undisciplined rivers. You feel your way along with a strange sense of guilt, nervously searching for subtle signs indicating a change of country.<\/p><p>Each time I went back to my studio, I marked a black square on the photos, like a three-dimensional Post-it, to remind myself where the border was. This simple, precise act\u2014repetitive and clerical\u2014accidentally but significantly transformed the image. The sanitary, political, social, and humanitarian screen stood stoically in the calm, natural landscape. When the border reopens, how will we have changed?<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-54182d42 e-flex e-con-boxed e-con e-parent\" data-id=\"54182d42\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5834346e elementor-grid-1 elementor-grid-tablet-2 elementor-grid-mobile-1 elementor-widget elementor-widget-loop-grid\" data-id=\"5834346e\" data-element_type=\"widget\" data-e-type=\"widget\" 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10px;--row-gap:10px;--column-gap:10px;--padding-top:0px;--padding-bottom:0px;--padding-left:0px;--padding-right:0px;}.elementor-417 .elementor-element.elementor-element-6f0b7fac{--display:flex;}.elementor-417 .elementor-element.elementor-element-45b9685c{columns:1;text-align:start;}@media(min-width:768px){.elementor-417 .elementor-element.elementor-element-216708d{--width:21.875em;}.elementor-417 .elementor-element.elementor-element-6f0b7fac{--content-width:1000px;}}<\/style>\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"417\" class=\"elementor elementor-417 e-loop-item e-loop-item-679 post-679 artiste type-artiste status-publish has-post-thumbnail hentry categorie-artiste-artiste categorie-artiste-membre\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-8bd6b09 e-flex e-con-boxed e-con e-parent\" data-id=\"8bd6b09\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-216708d e-con-full e-flex e-con e-child\" data-id=\"216708d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9b68b46 photo elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"9b68b46\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/topo.art\/en\/artiste\/michel-huneault\/\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/i0.wp.com\/topo.art\/chantier\/wp-content\/uploads\/2024\/03\/Michel-Huneault_credit-Joannie-Lafreniere-1x1-1.jpg?fit=350%2C350&amp;ssl=1\" title=\"Michel-Huneault_credit-Joannie-Lafreniere-1\u00d71\" alt=\"Michel Huneaut photographi\u00e9 par Joannie Lafreni\u00e8re\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-28b2552 e-con-full credit-photo e-flex e-con e-child\" data-id=\"28b2552\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;position&quot;:&quot;absolute&quot;}\">\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-f5159dd e-flex e-con-boxed e-con e-child\" data-id=\"f5159dd\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-21af79c elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"21af79c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Michel Huneault<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-88c3b2b liens-artistes elementor-widget elementor-widget-shortcode\" data-id=\"88c3b2b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"shortcode.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-shortcode\"><a target=\"_blank\" href=\"http:\/\/michelhuneault.com\/\">michelhuneault.com<\/a> | <a target=\"_blank\" href=\"https:\/\/www.facebook.com\/michel.huneault\">Facebook<\/a><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-6f0b7fac e-flex e-con-boxed e-con e-parent\" data-id=\"6f0b7fac\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-45b9685c elementor-widget elementor-widget-text-editor\" data-id=\"45b9685c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\tMichel Huneault est un photographe documentaire et artiste visuel. Son travail s\u2019articule autour des enjeux de d\u00e9veloppement, des traumatismes, de la migration et des r\u00e9alit\u00e9s g\u00e9ographiques complexes, incluant les impacts des changements climatiques. Sa pratique artistique conjugue image fixe, histoires orales, vid\u00e9o et \u00e9l\u00e9ments immersifs qui conf\u00e8rent \u00e0 ses projets une dimension tant humaniste qu\u2019esth\u00e9tique. Ses oeuvres informent tout en questionnant l\u2019acte de documentation et de repr\u00e9sentation.\r\n\r\nMichel Huneault d\u00e9tient une ma\u00eetrise de l\u2019Universit\u00e9 de Californie \u00e0 Berkeley, o\u00f9 il fut Rotary Peace Fellow, se penchant sur le r\u00f4le de la m\u00e9moire collective \u00e0 la suite d\u2019un traumatisme de grande ampleur. Avant de se consacrer \u00e0 la photographie en 2008, il a travaill\u00e9 plus d\u2019une dizaine d\u2019ann\u00e9es en d\u00e9veloppement international.\r\n\r\nEn 2015, son travail sur la trag\u00e9die de Lac-M\u00e9gantic re\u00e7oit en le prix Dorothea Lange-Paul Taylor, puis para\u00eet l\u2019ann\u00e9e suivante sous le titre La longue nuit de M\u00e9gantic chez l\u2019\u00e9diteur n\u00e9erlandais Schilt. En 2016, la bourse Travers lui permet d\u2019approfondir ses recherches sur les enjeux migratoires \u00e0 travers cinq pays, en collaboration avec leurs diasporas au Canada et leurs familles dans leurs pays d\u2019origine. En 2018, il a adapt\u00e9 Roxham \u2013 son projet visuel et sonore portant sur les passages de demandeurs d\u2019asile en provenance des \u00c9tats-Unis vers le Canada \u2013 en une exp\u00e9rience de r\u00e9alit\u00e9 virtuelle avec l\u2019Office national du film du Canada. Au printemps-\u00e9t\u00e9 2020, il a \u00e9t\u00e9 mandat\u00e9 par le Mus\u00e9e McCord pour documenter les impacts de la Covid-19 \u00e0 Montr\u00e9al.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Transposed for online dissemination with TOPO, On the Border is a proposal by artist Michel Huneault who documents a segment of the Canada-United States border and puts it through a narrative.<\/p>","protected":false},"featured_media":2368,"template":"","type-de-production":[40],"class_list":["post-2367","production","type-production","status-publish","has-post-thumbnail","hentry","type-de-production-oeuvre-web"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>De la fronti\u00e8re\u00a0| Michel Huneault &#8226; Production de TOPO - Centre de cr\u00e9ation num\u00e9rique<\/title>\n<meta name=\"description\" content=\"Pour une diffusion en ligne avec TOPO, De la fronti\u00e8re est une proposition de Michel Huneault qui documente la fronti\u00e8re canado-am\u00e9ricaine\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/topo.art\/en\/production\/de-la-frontiere-michel-huneault\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"De la fronti\u00e8re\u00a0| Michel Huneault &#8226; Production de TOPO - Centre de cr\u00e9ation num\u00e9rique\" \/>\n<meta property=\"og:description\" content=\"Pour une diffusion en ligne avec TOPO, De la fronti\u00e8re est une proposition de Michel Huneault qui documente la fronti\u00e8re canado-am\u00e9ricaine\" \/>\n<meta property=\"og:url\" content=\"https:\/\/topo.art\/en\/production\/de-la-frontiere-michel-huneault\/\" \/>\n<meta property=\"og:site_name\" content=\"TOPO - Centre de cr\u00e9ation num\u00e9rique\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/topomtl\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-17T23:08:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/topo.art\/chantier\/wp-content\/uploads\/2024\/05\/05_huneault.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/topo.art\\\/production\\\/de-la-frontiere-michel-huneault\\\/\",\"url\":\"https:\\\/\\\/topo.art\\\/production\\\/de-la-frontiere-michel-huneault\\\/\",\"name\":\"De la fronti\u00e8re\u00a0| Michel Huneault &#8226; 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