{"id":2128,"date":"2024-01-15T15:40:00","date_gmt":"2024-01-15T19:40:00","guid":{"rendered":"https:\/\/topo.art\/chantier\/?p=2128"},"modified":"2026-01-14T12:32:08","modified_gmt":"2026-01-14T16:32:08","slug":"programmation-2024-2026","status":"publish","type":"post","link":"https:\/\/topo.art\/en\/programmation-2024-2026\/","title":{"rendered":"2024-2026 Programming"},"content":{"rendered":"
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Nostalgia, ecology and simulacra<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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An Overview by St\u00e9phanie Morissette<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Artist in the visual and digital arts and a member of TOPO\u2019s board of directors.<\/em><\/p>

TOPO issued a call for proposals for its 2024-26 programming in June 2023, exhibition projects for the Vitrine<\/a>, co-production projects with or without an exhibition component and longer-term projects with public participation. The call was open to both emerging and established artists. The selection committee decided not to impose a theme in order to broaden the range of proposals and to take the pulse of artists exploring numerous fields of interest with a great diversity of technological tools.<\/p>

The themes that arose in the fourteen projects chosen from among the sixty-four received fall under the categories nostalgia, ecology and simulacra. Several projects go beyond more than a single theme, sometimes with humour, poetry or the use of artificial intelligence.<\/p>

Nostalgia is found in three projects whose starting point is an aesthetic of a 1980s arcade game. \u201cBrume,\u201d by Pixels Collectif, reflects the eco-anxiety of its creators. Players must put out devastating fires with a misty cloud. A kind of nostalgia is also found in the poetry translated into ASCII code in the work by Pascale T\u00e9trault, \u201cJe t\u2019\u00e9cris.\u201d Finally, in \u201cSoba\u2019s Corner: A Chinese-Canadian Cooking Show \u2013 Snack Witch Joni Cheung,\u201d the artist uses the humour and irony of television cooking shows to fill the gaps of a culture which has not been transmitted from one generation to the next. We will be expecting you in September 2024 to prepare dumplings.<\/p>

Humour returns under the theme of simulacra in the fake documentaries by Dominic Lafontaine and L\u00e9a Boudreau, in which conjecture and a change of perspective force us to think about our relations with the other. This nostalgia and the use of humour arise in reaction to the growing presence of AI, which opens new avenues and creates anxiety at one and the same time. What does it have in store for us? What will it replace? Technology can lie, it can bring back the dead, it can keep us alive in a creative manner and leave in limbo phantoms which have only ever existed on screen, as in the work by Alfred Muszynski, \u201cThe Dynamic of No Solace.\u201d In \u201cMurs de chair,\u201d L\u00e9onie B\u00e9langer and her associate \u00c9loi Angers-Roy seize in suspension traces of movements which give form to digital space.<\/p>

AI has made it possible to create a fake documentary on a conjectured city with the work \u201cLa ville Tol\u00e9d\u00e8re\u201d by Dominic Lafontaine, as well as a fake animal documentary by L\u00e9a Boudreau, which uses the perspective of small machines to observe humans. AI has also made it possible to create fake news and fake archives in the work by Stephanie Creaghan, \u201cThe Dailies 2\/ Au re-voir au quotidien (2).\u201d \u201cCerebellum,\u201d by the collective C\u00cfO, is a still life depicted as a fake depressed ecosystem with the addition of emotional and anxious artificial intelligence. AI can create images and replace artists, and can replace itself, in the video essay \u201cRevision: Dream State\u201d by Mick Sand. Video and AI take the form of an ouroboros. All these works make it possible to think about the value of truth and community.<\/p>

Other works explore the presence or absence of humans and how they affect their environment. In their absence, we discover the fascinating behaviour of animals and plants in \u201cUn jardin la nuit,\u201d by Caroline Hayeur and D. Kimm. With their presence, temperatures are rising, ice caps are melting and the seasons are turned upside down in the interactive work \u201c\u00c9cosyst\u00e8me Alpha\u201d by Aude Guivarc\u2019h. \u201cMirages,\u201d by Emmanuel Jouthe, uses dance to explore the distance and disconnect we have with living things by projecting choreographies onto wooden and ceramic objects. In \u201cCes objets qui m\u2019entourent,\u201d Ann Karine Bourdeau Leduc employs everyday consumer objects she has reproduced, like vestiges of another age. These latter projects raise questions about what humans leave behind them as destructive processes on our ill-used planet accelerate.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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On the program<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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pixels\u00b7collectif - Brume<\/em><\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Vitrine exhibition, March-April 2024<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Art video game which casts a critical but benevolent look at our ways of life through the creation of a dystopian future.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Aude Guivarc'h - \u00c9cosyst\u00e8me Alpha<\/em><\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Vitrine exhibition, May-June 2024<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A living and interactive sculpture of a mountainous relief. A portion of a terrestrial ecosystem affected by its visitors.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Dominic Lafontaine - La ville Tol\u00e9d\u00e8re aime ses enfants<\/em><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Web co-production residency, from April 2024<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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An episodic virtual fiction created with AI via the site of the imaginary city Tol\u00e9d\u00e8re.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Mick Sand - Dream State<\/em><\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Creation residency with closing performance, July 2024<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A video essay which reflects on artificial imagery, combining jazz and installation props.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Snack Witch Joni Cheung - Soba\u2019s Corner: A Chinese-Canadian Cooking Show<\/em><\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Vitrine exhibition, September-October 2024<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Video installation and performance on the connections to one\u2019s roots through the Canadian reinterpretation of Chinese food.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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L\u00e9a Boudreau - Unusual Critters\u00a0: A Remarkable journey through life as we think it is\u00a0<\/em><\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Vitrine exhibition, November-December 2024<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A multimedia installation constructed around a fake documentary on the survival of non-human beings in an anthropocentric environment.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Pascale T\u00e9trault - Marcel<\/em><\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Exposition en vitrine, avril-juin 2025<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sculpture in motion, exploring the possible links between the literary and the programmed, the poetic and the technical.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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L\u00e9onie B\u00e9langer & \u00c9loi Angers-Roy - texuvie<\/em><\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 R\u00e9sidence-Cr\u00e9ation, pr\u00e9sentation finissage ao\u00fbt 2025<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Projet d’installation performance o\u00f9 l\u2019image num\u00e9rique et le geste s\u2019entrelacent dans un rituel de tissage chor\u00e9graphique assist\u00e9 par un dispositif technologique con\u00e7u sur mesure.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Collectif C\u00cfO - C\u00cfO_Echos<\/em><\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Vitrine exhibition, September-October 2025<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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An immersive, interactive installation featuring depressive artificial intelligence equipped with a bi-directional human-machine conversation system.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Emmanuel Jouthe - Danse Carpe DIEM - Mirages<\/em><\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Vitrine exhibition, November-December 2025<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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An augmented sculptural installation blending video and dance. Choreographic solos on organic matter.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Caroline Hayeur, D. Kimm - Un jardin la nuit<\/em><\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Vitrine exhibition, January-February 2026<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A video installation and black and white poetry on the animal and vegetable world through nocturnal footage using infrared hunting cameras.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Stephanie Creaghan - The Dailies, 2 \/ Au re-voir au quotidien (2)<\/em><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Vitrine exhibition, March-April 2026<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A poetic and visual installation. Questioning the authenticity of television news programs and their effect on individual and collective points of view.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Alfred Muszynski - The Dynamics of No Solace<\/em><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Vitrine exhibition, May-June 2026<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Multimedia paintings on myths, hyper-culture and the way death is treated through new technologies.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ann Karine Bourdeau Leduc - Ces objets qui m'entourent\u00a0<\/em><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Exposition en vitrine, septembre-octobre 2026<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A sculptural and multimedia installation of objects and three-dimensional photographic reproductions. Thoughts on over-consumption.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Announcement of TOPO's full programming for 2024 to 2026, with selected projects grouped under the themes of Nostalgia, Ecology and Simulacra.<\/p>","protected":false},"author":1,"featured_media":2129,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"yoast_head":"\nProgrammation 2024-2026 • TOPO - Centre de cr\u00e9ation num\u00e9rique<\/title>\n<meta name=\"description\" content=\"La programmation 2024-2026 de TOPO - Centre de cr\u00e9ation num\u00e9rique se centre autour des th\u00e8mes de la nostalgie, de l'\u00e9cologie et du simulacre.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/topo.art\/en\/programmation-2024-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Programmation 2024-2026 • TOPO - 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